![]() “It’s funny, ironic in a way, and kind of sad,” he says. ![]() The album’s other 13 tracks average around 800,000 plays each.īasinski, who has been making music with tape loops since the late 1970s, is mildly puzzled, but ultimately sanguine, that millions of listeners might encounter his work for the first time as a sleep aid or mood booster. ![]() “Melancholia II” is Basinski’s most popular piece on Spotify, with more than 10.6 million plays. It is clear that these playlists are significantly contributing to their tracks’ streaming success. On the “Apply Yourself” playlist, Basinski’s “For Whom the Bell Tolls,” a montage of ominous bell tones and howling negative space, becomes an unlikely anthem for buckling down and writing some emails. 80 on “Songs for Sleeping,” a five-and-a-half-hour playlist created by and hosted on Spotify, accompanied by an image of a child tucked under white covers and a promise to “send you to sweet, sweet slumber.” It is one of many pieces of ambient music, including several by Basinski, that have reached large listenerships after placements on popular playlists like this one, billed as utilitarian aids for relaxing, or focusing, or meditating, or caring for your houseplants.
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